Wednesday, 16 November 2011

Shop Report

The Vintage Emporium:
After living in London for over a year it was about time that I went to Brick Lane. The first shop that I happened to discover down a side street was the most beautiful vintage shop that I have ever been in. The Vintage Emporium is a hideaway museum situated under a café by the same name. After climbing down a narrow staircase I was greeted by an open book which asked politely that ‘’Customers should take special care of all items as they are very very old’’. It turns out that some outfits are so ancient that you have to book an appointment so that someone can help you try them on!
Although every surface of the shop has been covered with stock, it is all arranged in such a way that I could have spent hours investigating the nooks and crannies filled with everything from a tower of top hats to porcelain dolls, a cabinet of 50s style sunglasses to a little display of Victorian children’s shoes. I was particularly drawn to the drawers of archaic buttons and fragile lady’s gloves which were also unfortunately behind a glass screen. I later discovered that a great many things in this shop are too precious to touch such as the chairs…

Unlike many vintage shops there is a definite order and arrangement to the garments here. Dresses range from the classic 50s prom to early Victorian formal wear. The price range is just as staggering. I was overjoyed to find a fairly modern black lace dress for £50, but when I enquired about the gorgeous, sparkling entirely sequinned, gold flapper dress deliberately hung behind the till, the friendly Australian shop assistant informed me that it was worth £2000. A little out of my price range. However she told me that most of the items here have been sourced from all over Europe by the creator of this shop. Some have been mended but all are in excellent condition.
At only a year old, the shop and café above both seemed to have a healthy mix of regular customers; and it wasn’t difficult to tell why. Shopping is an experience here; something between a visit to the British museum and a café that has been there for a hundred years. It seemed I was not the only person to notice as a group of art students had chosen The Vintage Emporium to sketch the dried flowers above the café counter, the flickering candles and the battered and worn old suitcases which were bursting with as much character as the store itself. The atmosphere was friendly and welcoming. Billy Holiday was playing quietly around both shops for an unusual mix of customers. The people browsing the rails of delicate lace lingerie, gramophones and violins were mostly women in their late twenties but outside on the porch sat a Rastafarian man with dreadlocks to his waist.
Almost every detail has been considered to create the illusion that you have truly stepped into a time traveller’s wardrobe, which just happened to be organised in to colour and style. The changing room is just a little alcove, lit by a large and ornate lamp, and decorated by hand drawings in mismatched frames. Even the flowers looked vintage, then again that’s probably because they were decaying. The lighting is extremely effective, as strings of fairy lights lead you subliminally around the store. The smell of the room is even inviting. It still smelt vintage but not in the way that your grandma’s house does. And the café must have been fragranced with exquisite incense. One thing that I could criticise was that lack of attention to what the clothes were actually hanging on. On a closer inspection they were simple wooden hangers dangling from horrible metal frames. This was also the moment that I discovered that the store room was actually hidden, much like Narnia, through and behind the rack of giant fur coats.
There is a menswear section. At the furthest corner of the store is a rail of trouser and coats and behind an odd collection of jodhpurs is pinned to the wall. It isn’t much to attract the male vintage customer to the store although I found it interesting to inspect the designs of such antique suits.
Overall I have to say that The Vintage Emporium has indefinitely captured my attention and I think the owners should be proud to have displayed such a cohesive and beautiful collection of clothing. I will definitely return if I ever want to buy some vintage formalwear but I do not think that the price range or offering is appropriate for the student’s everyday budget.
Dover Street Market:
I chose to do my second shop report at Dover Street Market; for what I had assumed to be a change of scenery from The Vintage Emporium. However, I was astonished to find numerous connections and similarities. Firstly, both stores sell clothing from a multitude of brands. The only difference here was that these garments were fresh off the catwalk. It was highly interesting to get a closer look at the incredible construction of the Comme des Garcons range. I was particularly intrigued by a pair of very short shorts that seemed to have at least three linings yet there was no obvious indication of how these would be worn or even pulled on. It was only after seeing a shop assistant wearing them that I understood their complexity!
Much like the vintage shop, Dover Street Market is a store with many aspects. When you first enter the first thing you are greeted by is a strong scent from the Comme des Garcons perfume section on the ground floor. The shop floor layout, at the moment, is a maze of colourful and oddly constructed wooden huts covered with the brands signature designs. To the left, glittering cabinets of carefully selected jewellery sit behind glass. The only person that I saw actually try them on, once asking permission, was Katy Perry. It was then that I noticed the rather imposing security guard, stood watch on every floor. I found it off putting, as in addition to the friendly but vigilant shop assistants I felt wary about getting too close to the clothing or displays. On the other hand, the shop was so immaculately organised by the different styles on each floor and the way that each designer had their own manner of display, that I didn’t mind that one assistant persisted to neatly rearrange the hangers each time I rebelliously moved them.
I loved the way that each designer had made their mark on the way that their clothes were presented, from leather straps instead of hangers, to a black sand beach under the Hussein Chalayan garments. Chalayan in particular had, in my opinion, the most successful presentation as each rail was being carried by two cloaked mannequins, giving that particular corner the surreal sense of creativity that surrounds his collections. There was a definite sense of styling and consideration by how each rail was accompanied by a pair or two of shoes that would perfectly match the chosen range. I understand now why this place has been described to me many times as a ‘museum’ or ‘exhibition’. I found myself, half the time, admiring the displays of giant turtle shells, swordfish blades and yellow water lilies preserved in jars, which happened to be for sale for only £150.
This brings me to the price range. It was very difficult to ascertain these figures as many prices were difficult to find or simply not there. It is a place where if you have to ask, you most likely can’t afford it. I even overheard the conversation of a couple of stylish young girls, in the store, saying that they thought they ‘’should go back to Topshop, because they would be the queens there…’’ Its seems as though at least 50% of the apparent customers are in fact just like me, because they have simply come here admire and immerse themselves in the beauty of modern design, both in fashion, art and architecture. There was even an element of artistic film in one section. A group of comparably small televisions were arranged amongst the menswear. Personally I don’t think it added to the ‘shopping’ atmosphere but it is another way that DSM has displayed its inspiration. 
I was much more captivated by the style and lifestyle that is portrayed. Again, just like The Vintage Emporium, there is a café above the clothing shop levels. Here, Nina Simone played over the loud speakers; customers drank wine, ate canapés and could even go out on to the smoking balcony on the top floor. I noticed that many customers seemed to know each other though conversations were in great many languages ranging from French to Chinese. DSM caters for a wide cultural range of people but a relatively select budget. The queue on the top floor was long however on my journey up there I had not noticed many customers actually trying on the garments in the individually themed dressing rooms. I think this is because those who cannot afford the designer clothing opt for the perfume, household objects and gifts, wishing to buy into a bit of the glamour that the company has so successfully created. The location itself, in Green Park, only a minute from The Ritz Hotel shows how different the clientele can be from those shopping in Brick Lane.

Thursday, 27 October 2011

Exhibition - Drawing Fashion

Last year was a great year for fashion exhibitions all over London.

This exhibition was brilliant. I love to see the actual drawings that inspire me to be a creator. I also love to see clothes from the catwalk up close. To me its still like seeing a celebrity on the street. I hope I never loose the excitement I felt when I was drawing Vivienne Westwood's clothes from her Pirate collection in my fashion illustration class.

Drawing Fashion at The Design Museum.

Monday, 24 October 2011

Swedish Summers

I was heavily influenced by my flat mate last year. She is Swedish, but she has many more interesting quirks that I seem to have subconsciously adopted. Many are completely useless such as a new love for Swedish fruity cider and a hint of an American accent. Others you may enjoy. Such as this musical duo, they are called First Aid Kit. I adore their music but also their music videos set in the forests of Sweden, surrounded by towering trees and fallen leaves.

Monday, 17 October 2011

Second Fashion Film

This film was created to illustrate my project inspired by caves.

Wednesday, 12 October 2011

Right Place, Right Time

The day before I started my degree at Westminster I was lucky enough to be hired to dress models at the Richard Nicholl S/S 2012 collection at London Fashion week. I had never even been backstage at a show, let alone dressed two models in clothing that had never been seen by the public before but that would soon be all over the internet. It just so happened that this is one of my favourite collection of LFW, though I may be biased. The digital prints, transparent hooped skirts and pastel blue and violet colour scheme worked brilliantly together, which made it all the more nerve racking to do my job.

The lucky part is that my first ever fashion project was to take photos at LFW. It would have been extremely daunting, before that week, to be told I had to somehow get backstage at shows, take pictures and interview models. However, I had done this just the day before, so armed with my new skills I set off with a couple of friends to explore and report.

We were rather disheartened to find that Somerset House was swarming with students from our course and other London fashion degrees. So it was difficult to find the hidden style gems. But this is when luck (and a bit of that pushy fashion student nature) struck again... Whilst standing outside the Mark Fast show, hoping to catch a glimpse of a famous model and deliberating on how we could get backstage we overheard a someone who needed more volunteers to fill the gift bags. So we offered our services as eager fashion junkies and it worked! We were backstage for 3 hours! Saw the runway, saw the designers, models, make-up artists and watched as the show was frantically created. We couldn't believe our luck and I am so grateful for the opportunity.

My final gift from the fashion gods was dressing models at the Alice Temperley show which was situated in The British Museum. Due to some complicated headscarves, infinitely fragile formal wear and my friends model who arrive only minutes before the show started, it was the most beautiful, nerve-racking and educational thing I have done so far.

I dressed this model:

Monday, 10 October 2011

Another Love


I find the dip-dye effect and the draping incredibly beautiful.

Here is a link to her website:
Felicity Brown

Thursday, 6 October 2011

A Personal Favourite

Viktor and Rolf is are the designers that inspire my design process and style. I love the way they present their collections. I love the way they can adapt and develop a theme as simple as a man's shirt, into a entire collection that is hypnotising and inspiring throughout. AND I love how they work as a team, because this is my favourite way to work. It's always fun to bounce ideas off people.

Here is a video of one of their most interactive collections:

Thursday, 29 September 2011

The First of Many

Hello,

My name is Robyn Dombey. I am starting BA Fashion Design at Westminster University in September 2011.

To begin my blog I thought I would start on a high note, something I have already done to get the ball rolling.

The first fashion film that I created for my Foundation Diploma, was something extra that I did to illustrate the many aspects of my projects which was based on an exhibition that I visited at The Wellcome Collection called High Society. It is all inspired by narcotics, hallucinations and the 1960s. I particularly loved this project because it was a great opportunity to find out as much as I could about The Beatles: lyrics, images, graphics and even a 'Beatles tour of London'!

This video can also be found on YouTube along with my other fashion films.

Enjoy!